Wilco's A Ghost is Born continues to convince me of Jeff Tweedy's genius. Though the most experimental of Wilco's albums to date this album is still brimful of startlingly good melodic hooks and inspired instrumentation. It's just that none of it follows a standard song format. (No verse, chorus, verse, chorus, bridge, chorus, close here). "I'm A Wheel" has incredible drive and for some reason reminds me of trips to the Speedway at the Sydney showgrounds when I was a kid. Something to do with the sheer rock and roll energy of the thing. Anyone with enough audacity to rhyme "1, 2, 3, 4, 5, 6, 7, 8, 9" with "one time someone in Germany said 'Nein!'" and pull it off as though it makes some kind of sense has to have something going for him. In "Theologians," Tweedy sings, "Theologians, they don't know nothin' 'bout my soul." This has a tendency to put one in one's place. Then again, he goes on to sing, "I'm an ocean of emotion / I'm a cherry ghost,' so maybe theologians could tell Tweedy a thing or two.
I found a CD single in an OP Shop of Tom Waits' "Make It Rain" from the 2004 album Real Gone. It's a tortured prayer from a broken heart, a desperate cry to the heavens.
I want to believe
In the mercy of the world again
Make it rain, make it rain!
I'm not Able, I'm just Cain
Open up the heavens
Make it rain!
I'm close to heaven
Crushed at the gate
They sharpen their knives
On my mistakes
What she done, you can't give it a name
You gotta make it rain
Make it rain, yeah!
The portrait of Waits shown here is from Heidi Baracks' Red Series You can read an interesting review of this album by Zeth Lundy on Pop Matters.
In the mercy of the world again
Make it rain, make it rain!
I'm not Able, I'm just Cain
Open up the heavens
Make it rain!
I'm close to heaven
Crushed at the gate
They sharpen their knives
On my mistakes
What she done, you can't give it a name
You gotta make it rain
Make it rain, yeah!
The portrait of Waits shown here is from Heidi Baracks' Red Series You can read an interesting review of this album by Zeth Lundy on Pop Matters.
The Diary of Alicia Keys has confirmed Alicia's status as the new Aretha Franklin. Revisiting Joni Mitchell's Blue after a 20 year absence has been a revelation. Gillian Welch has still not topped Time the Revelator. Two albums from Frank Sinatra (In the Wee Small Hours and Songs for Swingin' Lovers) have helped me "get" what Time magazine meant by announcing him the entertainer of the century. Johnny Cash's American IV The Man Comes Around, including his version of Trent Reznor's "Hurt" was a magnificent swansong album for "Johnny of the Cross." Next blog entry: Best films of 2005.
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