Seeing and Believing: The Eye of Faith in a Visual Culture
The following is a talk I gave at the Book Launch for my colleague and friend, Stuart Devenish. Seeing and Believing: The Eye of Faith in a Visual Culture (Eugene, OR: Wipf & Stock, 2012)
On 7 January 1839, members of the French Academy
of Sciences were shown the first rudimentary photographs thus changing the visual
arts forever. This remarkable invention was the work of the Parisian painter
and printmaker Louis-Jacques-Mandé Daguerre who manipulated light to capture
unique images on highly polished, silver-plated sheets of copper. The
“Daguerrotype” as it was humbly dubbed by its creator was superceded around
1885 when the American inventor George Eastman managed to create a portable
camera that could transfer an image onto celluloid film. Of course this
remarkable technology was itself superceded and the Eastman Kodak company filed
for bankruptcy protection in January 2012, a victim of the digital revolution.
When the Lumiere Brothers invented the cinematograph in 1895 pictures suddenly came alive with movement and audiences gasped and screamed and fled away from the screen at the strain of registering this new experience. The eye had let light in but it took a while for the soul to catch up with what it all meant. The stage was set for a new era of visual culture that is still with us.
When the Lumiere Brothers invented the cinematograph in 1895 pictures suddenly came alive with movement and audiences gasped and screamed and fled away from the screen at the strain of registering this new experience. The eye had let light in but it took a while for the soul to catch up with what it all meant. The stage was set for a new era of visual culture that is still with us.
Of course the delighting of the eye (and the soul to which it is a window) is an ancient as well as a modern experience. The rich mosaics and tapestries of the ancient world and the kaleidoscopic narratives captured in medieval stained glass delighted the eyes and thus the hearts and imaginations of the ancients just as surely as the cinema has captivated moderns. Stuart Devenish has linked both the ancient and the modern together by drawing us engagingly into his theme of “the eye of faith in a visual culture.” His book is infused with the awareness that seeing is a profoundly spiritual business. He reminds us that faith is something deeply visional, of the need to look at the world through Jesus’ eyes, and that the Bible is a visionary text that brings into being a wide-eyed people. Just as the camera manipulates light to give us fresh visions, so Christianity is a way of light whose wisdom enchants the imagination, produces spiritual vision and turns us into focused disciples.
Seeing things is not just about a passive reception of
stimuli upon the optic nerve. I once insulted the theologian Alister McGrath (a
man I greatly admire) by telling him that a good speaker doesn’t need a power
point presentation. My comment wasn’t
aimed at his presentation but was my
attempt to make the point that a good public speaker uses words to create
pictures in the minds of the hearers and does not need to rely overly much on
visual aids. This is why video did not in fact kill the radio star. When we listen to the radio our brains get to
create their own pictures rather than the somewhat more passive delivery of
ready-made images offered by television and film. We are, it seems, created as
image making beings.
Though our physical sight may be lacking, our spiritual
sight can remain strong. I have known several sight-impaired women in the
congregations I have served and most of them have had a spiritual vision that
far outstripped the rest of us. Fanny Crosby was born blind, but do you think
the woman who wrote the hymn To God be
the Glory Great Things he Hath Done had no vision? Do you think she never saw Jesus? It was this blind woman who wrote:
Redeemed and so happy in Jesus
No language my rapture can tell
I know that the light of His presence
With me doth continually dwell
I know I shall see in His beauty,
The King in whose law I delight
Who lovingly guardeth my footsteps
And giveth me songs in the night.
In fact, physical sightedness can often be a hindrance to
true vision. In Mary Shelley’s novel, Frankenstein, the monster who is hated
and hounded by the villagers because of his ugliness and frightful appearance,
stumbles into the cabin of an old blind hermit.
Unaware of his ugliness the hermit offers him food and gentleness
motivated by both loneliness and the demands of Christian charity. He is the
only character in the book who offers the monster anything like the milk of
human kindness. This blind man could see something in this pitiful creature the
sighted people could not see. Where the physical eye saw only a figure of horror
and revulsion, the spiritual eye saw a creature deserving of compassion. Only after Samson had his eyes gouged out, did he gain the
vision he needed to see that romantic alliances with Philistine women could
only lead to disaster. It was as an eyeless
and tragic hero that he gained his greatest victory over God’s enemies. He
stood between the pillars of the Philistine temple and pushed against it until
the whole building toppled. He had a spiritual vision when “Eyeless in Gaza” that he had never possessed before.
In his tenth and final chapter Stuart writes of the temptations
present in the absence of spiritual desire and the ever-present potential to be
blinded by sin. He provides us via Bruce Haddon, with a “postmodern catechism”
designed to sharpen our focus. Such training of the eye in spiritual sight has
a long and honoured history in the Christian spiritual tradition.
The Authorised Version of the Bible renders Matthew 6:22-23
in the following way:
The light of the body is the
eye: if therefore thine eye be single, thy whole body shall be full of light.
But if thine eye be evil, thy whole body shall be full of darkness. If
therefore the light that is in thee be darkness, how great is that darkness!
These words are part of the Sermon on the Mount and come after
Jesus has warned against religious hypocrisy. Modern translations render the
Greek word aplous as “sound” or
“healthy” rather than “single” but there is a good argument for the older
translation given that the Greek word can carry the meaning of simplicity and unification of purpose.
Earlier generations spoke of the “single eye” in terms of such
purity of intention. To have a single
eye was to have a pure motive. In the
famous definition of Soren Kierkegaard, “Purity of heart is to will one thing.”
John Wesley’s sermon “On a Single Eye” followed the holy living tradition of
Jeremy Taylor and William Law in understanding the “single eye” in this way. The
sermon seems partly to have been motivated by concern about the tendency among
Methodists to marry their sons and daughters into wealthy families regardless
of the personal piety of their partners.
You,
whom God hath entrusted with sons or daughters, is your eye single in choosing
partners for them? What qualifications do you seek in your sons and daughters
in law? religion or riches? Which is your first consideration?...Which will you
prefer? - a rich Heathen, or a pious Christian? - a child of the devil, with an
estate; or the child of God, without it? - a lord or gentleman, with the devil
in his heart…or a tradesman, who…has Christ dwelling in his heart? O how great
is that darkness which makes you prefer a child of the devil to a child of God!
Which causes you to prefer the poor trash of worldly wealth, which flies as a shadow,
to the riches of eternal glory!...Repent, repent of your vile
earthly-mindedness! Renounce the title of Christians, or prefer, both in your
own case and the case of your children, grace to money, and heaven to earth! For
the time to come, at least, “let your eye be single,” that your “whole body may
be full of light!”
Here Wesley draws on the
Christian spiritual tradition of the “single eye” to address a very practical
issue – what should be our relationship to money? Should financial security for
our loved ones be given priority over their spiritual well-being? Stuart
Devenish’s Seeing and Believing
stands in that same tradition. It
directs us to the deep wellsprings of the Christian vision so that we can
“disciple the eye” in making the smaller daily decisions that contribute to the
tapestry of our whole lives.
The book is well written, thoroughly
grounded in Stuart’s area of scholarly expertise without ever being arcane, and
it breathes a remarkably Catholic spirit. It draws upon the riches of Orthodox,
Catholic and Protestant traditions with respect and genuine appreciation; the
same is true when dealing with other faiths as he points out genuine
differences between the Buddhist and Christian meanings of the term ‘enlightenment.’
I recommend this book to anyone seeking to understand Christianity as a living
spiritual tradition that provides insight into the nature of reality. Perhaps the citation in the book that
captures the centre of its concern best is that of C.S. Lewis. “I believe in Christianity as I believe that the sun has risen: not
only because I see it, but because by it I see everything else.”
Seeing and Believing is available for purchase at this link
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